The Irish singer-songwriter’s third album slips drowsy psychedelia and laconic country into her folk-rooted songwriting; the broader palette makes for a gloriously self-contained and accessible soundscape which decorates the quotidian in coats of grandeur and gravity. Brigid Mae Power’s regal, folk-oriented sound is notoriously elusive and ambiguous: she can be … [Read more...] about Brigid Mae Power: Head Above the Water – Review