The retro-futurist singer-songwriter Natalie Mering’s latest album is her most cohesive, accomplished and fully realised project to date. Natalie Mering has long been cited by tastemakers as one to watch; a gargantuan talent dabbling in bedroom freak-folk, lo-fi noise and swooning MOR whose ambition often exceeds her grasp. 2016’s well-received Front Row Seat to Earth … [Read more...] about Review: Weyes Blood – Titanic Rising
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